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villas in puglia
puglia
puglia is the “heel of Italy”, an enchanting Region that has so much to offer its visitors.
It will welcome you with its bright sun, crystal clear sea, spectacular coastline and the beauty of the landscape.
Meet the hospitable people, enjoy the delicious food, visit the dramatic grottoes, absorb all the history.
Many places are worth a visit in the area but above all, the Murgia district with its world renowned “trulli”, is a MUST.
Trulli are really architectonical gems: circular, conical-roofed white-washed houses built of stone.
Their roofs, topped with pinnacles, are tiled with concentric rows of gray slate.
They were used by an ancient peasant civilization and some of these constructions date back many centuries.
The greatest concentration of Trulli is in and around Alberobello.
For this reason it is now a UNESCO World Heritage site.
The characteristic of this type of construction is that the inside temperature remains almost constant despite the outside temperature, therefore it is relatively warm in the winter and cool in the summer.
the federican castles
The entire region of Puglia, land of Federico (Frederick) II, is covered with fortifications and castles, prevalently built to defend the territory. Throughout the area the Federican culture - open, tolerant, spiritual and jovial - is still felt. It is an unconfusable spirit which can be felt, above all, in castles, dwellings, fortresses and cathedrals built or altered by Federico for many purposes – from meditation to hunting, from government meetings to scientific discussions, to religious rituals.
The emperor always preferred to construct or change buildings (preferably simple or military) with a greater artistic consideration than his Norman predecessors had; such castles as Gioia del Colle, Brindisi, Oria, Lucera and also Castel del Monte were born in this period. Castel del Monte is the most famous out of a number of Federican castles in the area, both for its recurrant use of the number eight (the yard’s external perimeter and the shape and number of towers) which is full of symbolic meaning and for dubious intended purpose. Despite being commonly called “castle”, the exact function of Castel del Monte remains unclear. In reality it probably wasn’t a fortress; from an architectural point of view it lacks some typically military elements and it is positioned rather unstrategically. Some have hypothesized that it was a hunting lodge; a sport much loved by the sovereign. Whatever it was, it can be seen to be an architecturally magnificent work of art – a refined combination of mathematics and astronomy. The few slight asymmetries in the remaining decorations and the internal doors, (when not due to alterations), have suggested to some scholars that the castle and its rooms, even though geometrically perfect, were planned with the intention of creating of a sort of obligatory ‘path’, perhaps tied to astronomical criteria. In order to explain the complete lack of corridors, it has also been hypothesized that on the first floor, there was a landing made in wood on the side of the internal courtyard which would have given access to every single room. In 1996 due to its absolute uniqueness, UNESCO gave the castle ‘World Heritage’ status. The sculptural wealth of the sixteen trapeziodal rooms is characterized by a particular sophistication: ancient (classical inventory) and modern (elements clearly inspired by gothic Europe) unite together, without omitting a touch of the Arabic world.
Il Castello di Trani, which was built at the request of Federico II in 1233, retains its original square shape strengthened by four corner towers. Its boundary walls were constructed in 1249 by Stefano di Romualdo Carabarese under plans by Filippo Cinardo.
Il Castello di Bari, historically attributed to Ruggero il Normanno, was built in 1131 and stands on a pre-existing building from the Byzantine era. Between 1233 and 1240, Federico II of Svevia recovered use of the castle, which had been damaged by Guglielmo il Malo (1156), using the former foundations and the surviving parts of the external wall and towers. During the Angioino period at the wish of Carlo I, some important restructuring work was carried out on works by Pietro d’Angincourt and Giovanni di Toul. In 1500, under the orders of Isabella d’Aragona and her daughter Bona Sforza the ramparts and walls were built and the central courtyard with its double staircase was systemized. In the 1800s the castle was used, firstly as a prison and then as a barracks. It is now the seat for the supervision for architectural and landscape welfare and for the historical, artistic and anthropological heritage of Puglia. Some rooms are used for a gallery of plaster casts and others for temporary exhibitions.
More than a simple castle, Oria seems more like a fortified fence which has adapted itself to the top of the hill where it is situated, assuming a triangular configuration. Il Castello di Oria was constructed between 1227 and 1233 on the orders of Federico II of Hohenstaufen. It was a period in which the Emperor resided in Brindisi to prepare himself for the crusade which had been dictated by Gregorio IX. This castle, once a residence for princes and kings, after wise restoration work in 1933 has become a point of cultural reference for the region.